Three beautiful sisters, Toko, Tamako, and Kyoko, run a bento shop during the day and an adult entertainment business at night. It was the three's dream to create an orphanage for children who were in the same unfortunate circumstances as themselves. Taichi, who has feelings for Kyoko, tries to invest money from the company run by the three brothers in order to make the sisters' dreams come true, but..

Elder! Can I do what I imagined? Jeong-hee is suffering from the torch of her mother, who is a married couple. As a countermeasure, I ask my junior Jin-gyu to act as a lover. However, Junghee not only acts as a lover, At night, she starts acting as a sex partner. Jin-gyu, who could not stand this, uses her friend Tae-kyung I'm trying to get away from her...​

Three Sisters is an American television sitcom that aired on NBC for two seasons from January 9, 2001, to February 5, 2002.

Three sisters, Ira, Olya and Masha, have long dreamed of leaving Nizhny Novgorod for Moscow. Each sister has her own moving scenario, but they all secretly rely on the financial help of her mother, the owner of Tatiana's jewelry business. However, Tatiana has other plans for life: as a souvenir from her vacation, she brings a massage therapist 20 years younger than herself. And while the whole town is gossiping about a sudden romance, the daughters suspect that the new family member is an ordinary conman. They intend to open Tatiana's eyes to the truth, but does a woman who just wants to be happy need her?

Preserving the text of the play, the amazing dialogues, the brilliant characters, we have transposed the action into today’s Russian provinces and changed only one thing: the age of the heroes. In Anton Chekhov’s play the heroines are aged around 25; now they are 55. What does that do? The heroes’ retorts, stylistically inappropriate from today’s twenty-year-olds, are absolutely organic for the older generation, the ‘Soviet’ intelligentsia. The problems of Chekhov’s classical work concerning the search for a meaning in life, the loss of ideals, the fear before death without having achieved anything in the world, the desire to be useful to others – all these things are also a typical attribute of the Soviet intelligentsia.

For her latest project, commissioned by Arte and starring members of the Comédie-Française, Valeria Bruni Tedeschi (A Castle in Italy, Rendez-Vous 2014) shot an idiosyncratic, half-modernized adaptation of one of Chekhov’s greatest, most expansively melancholy plays.

A screen adaptation of Anton Chekhov's play about three sisters yearning for a better life.

Mary is the youngest of three sisters and of an impressionable nature. She and her sister Florence are living at home with their widowed mother, while Adele travels on the road with a theatrical company. Adele returns from the road at the end of her season, and is not home long before she realizes that her place is with her mother and sisters. She finds that they neglect their poor old mother, running off to dancing parties every night and associating with the wrong type of people. Adele, who is older and more experienced, decides to stay and watch over them.

After failing to appease their narcissistic father, Goneril, Regan and Cordelia are set on a path to mutually assured destruction. No-one hurts you like the ones you love.

The play rotates around three sisters, whose father was a general who died the previous year. They can't wait to move to Moscow, leaving behind the mediocre provincial life.